Note to Self: green daybook, 03.12.03

03.12.03
"...whenever I find myself, I find that I have always already begun."
Heidegger, 1962

-in this case can one have a trajectory?
--when does one START?

-this is the point, one doesn't
__

-neither does/can the TEXT
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Note to Self: resolution, 01/01/2008

01.01.08

As far as resolutions go I'm at a loss. I've never been much good at making them, though feel strangely compelled to do so. I'd like to try this year to listen better to those around me, to learn from those around me, to give attention its due and let that lead the way.
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Note to Self: green daybook 02.07.01

02.07.01

-of course ethics are based on value

-is syntax based as such on value?
--I suppose it is when thought of rigidly

-but when it becomes lithe
--then it is based on re-valuation

-can individual ethics escape the controlling authority of value?

-No
-ethics whatever guise appeals to an outside authority and thus removes nearly all personal responsibility
--one must simple agree w/ the tenets of that CODE

SYNTAX=ETHICS

___

-The moon light is very beautiful tonight.
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Note to Self: green daybook, 01.30.01

01.30.01
-can one make an image?

__
-what can one destroy w/ words, that is the words of a text

-create?
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Note to Self: green daybook, 12.17.01-12.26.01

12.17.01
-I'm not interested simply in different ways of telling.
--am I telling at all?

-I'd hoped to have a PROGRESS of THINKING
--that is an engagement?

-focus on what it is that is broached, what is broached?

12.24.01
The hero is called the people

__

-an assumption about thinking and thus the text

-resisting is a way of defeating representational thought.

12.26.01

-once again Honesty vs. Community or (family)?

-again, is the attacking of Context a sufficient resistance?
--is resistance necessarily solitary?
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Note to Self: green daybook, 05.03.03

05.03.03

-of course the TEXT doesn't have a "point" any more than the MIND does

__

-one can move from a word like gosling or thunder to the mutating of the pear tree thru MYTH or a gust of wind

__

-is FLUX really the pure and simple answer and DESIRE only the mistaken need to control FLUX

__

-if one falls into using CONVENTIONS in the text is one asserting a constant, dualistic SELF?
--I'm feeling less motivated to move past exhaustion.
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Note to Self: green daybook, 12.13.07

12.13.07
-does narrative require nouns?
--in painting?

-how does one construct predicative cues?

-syntax
-can a syntax be a narrative?

__
"Don't Bodies and Light act mutually upon one another?"
"Are not gross Bodies and Light convertible into one another?"

Newton, Opticks
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Note to Self: green daybook, 08.07.04

08.07.04
-is one different than what one describes?
-what is the effect of DESCRIPTION on one's BODY?
--what is DESCRIPTION?
-which parts of the TEXT and not DESCRIPTION?

-aligning words is a matter of/for DESCRIPTION
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Note to Self: green daybook, 01.16.06

01.16.06
Gerald Edleman, Neural Darwinism

___

-if Intentionality at least requires a BODY doesn't it also at least require SPACE?

-to this end isn't a BODY, doesn't a BODY INCORPORATE EXTERNAL SPACE?

-isn't a BODY MORE THAN THE SUM of its Parts?

-transubstantiation vs. metamorphosis

-so the BODY is a method for acquiring SPACE

___

Mark Johnson, The Body in the Mind
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Note to Self: GoodReads 12.12.07

12.12.07

My
library will always remain my child whereas my children will eventually leave home.
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Note to Self: green daybook 02.27.07

"...what is he whose grief
Bears such emphasis, whose phrase of Sorrow
Conjures the wand'ring Stars and makes them stand
Like wonder-wounded hearers?"

Hamlet, Act V, Scene I, lines 248-251
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Note to Self: green daybook 04.28.03

04.28.03
"Zen points out that our precious 'self' is just an idea, useful and legitimate enough if seen for what it is, but disastrous if identified with our real nature."
-Way of Zen

__

-is separating TREE from the IDEA of TREE a matter of eliminating DESIRE?
__

-one hesitates putting two words together for fear of creating SOMETHING

-if one doesn't bristle with "reality" isn't one simply decorous?
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Note to Self: green daybook, 02.02.04

02.02.04

"...he behaves as if he were a complete superfluity, a being for whom, in his account, duration has no meaning."

-Bataille, The Accursed Share
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Note to Self: from The Die(r), Adventures with Friday

Plot point 3: a morality play

L: I have this recurring fantasy about killing someone.
L: I have this recurring image of striking someone’s head, just above the left ear, with the broad side of a clever.
L: This fantasy is predicated upon various situations in which my action would be acceptable.
L: Not the broad side but the back.
L: In this image the skull has collapsed flat and sits atop a stupidly hulking body.
L: In this image I am watching myself relax, my shoulders relax.
L: Any blunt object with a sharply defined edge really.
L: This fantasy includes protecting or avenging someone.
L: In this image there is a moment of release in which any notion of personality abdicates.
L: In this fantasy I imagine moving the body out of the house as if it were one of my own limbs engorged.
L: As if by my actions this fantasy body had accreted to my physical body.
L: As if this was a method of making honesty.
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Note to Self: green daybook, 03.04.02

03.04.02

One tires of description

depiction: mouth
description: my mouth
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Note to Self: green daybook 03.30.03

03.30.03
-The problem is I'm not writing AGAINST anything

___

-Can one write the BODY w/out writing description?
i.e. Beckett, Scalipino (sometimes)
-while remaining accurate?

___

"Nietzsche always speaks of the soul's Unterwelt, which designates the most secret aspect of the body."
-Nietzsche: Body & Culture
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Note to Self: from The Hungarian, page 23, manuscript

What one can bring to bear on the transfer of memory emanates from that parka left hulking on the seat adjacent to one, from the girl sleeping, curled into the cupped seat with her earphones askew, from the voices which fail to be voices surrounding one but rise up as a sound one imagines the disquiet to be.

The objects which confronted me throughout the airport were involved in the business of life in a way which seemed unrecognizable to me, in way which made no sense or made too much sense.

People laughed and I bid the Furies to flay their bodies, to run bamboo threads under the skin of their backs and hoist them into the air.

I wanted to be in Florida with my father when he died, but I also wanted to look through the concourse window and see an augur of the naturalness of this, of the simplicity of this.

I wanted to feel as if I was in my own skin again. These things push us to our boundaries and further, perhaps this was a new skin.

I don’t know how to remember anything else. I boarded the plane.
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Note to Self: Mind and Nature

"Information. Any difference that makes a difference."
-Gregory Bateson
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Note to Self: green daybook 01.24.02

01.24.02
-Blake's POLYPUS still reverts to MYTH

Reverting to MYTH is fine so long as one keeps in mind that it is predicated on the notion that all MYTH explains is HUMAN DESIRE.
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Note to Self: green daybook 11.16.03 & 11.20.03

11.16.03
-"Causality is felt."
-Deleuze, Empiricism and Subjectivity


-could Soul be the Death?

11.20.03

:::
contraire
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Note to Self: vote.

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Note to Self: weave

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Note to Self: green daybook 02.04.07 & 02.05.07

02.04.07
-does when things happen in a text insinuate a NARRATIVE?
-i.e. a frequency?

-startle-->coincidence?

-parataxis vs. syntax

02.05.07

pulp test,
one, well, one askance
Errant, two arms hug passed.

-This would require the EXTRACTION OF TIME...
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Note to Self: green daybook 11.14.06

11.14.06
-does an EVENT in a text create a SPACE?
-DESCRIBE a SPACE?
-MIMIC a SPACE?
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